Books with title Two Gentlemen of Verona

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. The Two Gentlemen of Verona is a comedy by William Shakespeare, believed to have been written between 1589 and 1593. It is considered by some to be Shakespeare's first play, and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy. The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love. The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed.

Love and Fealty-- Two Gentleman of Verona is one of Shakespeare's earliest plays. Here we can see him working through many of the themes that would make him the best-loved playwright of all time. Love, honor, societal values, and right and wrong are all considered in this memorable play. There is no music in the nightingale; Unless I look on Silvia in the day, There is no day for me to look upon; She is my essence, and I leave to be, If I be not by her fair influence Foster'd, illumined, cherish'd, kept alive.

The Two Gentlemen of Verona is a comedy by William Shakespeare, believed to have been written between 1589 and 1592. It is considered by some to be Shakespeare's first play, and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy. The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love. The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed

The Two Gentlemen of Verona is a comedy by William Shakespeare, believed to have been written between 1589 and 1593. It is considered by some to be Shakespeare's first play, and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy. The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love. The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed.

The play that scholars see as a forerunner of the less comedies that followed, The Two Gentlemen of Verona remains one of the early Shakespeare finest achievements. A romp between two Veronese friends of this title, this classic romantic parody leaps to life. In Antony and Cleopatra, a grand drama of love and war, Shakespeare presents one of his greatest female characters -- the beautiful and cunning Egyptian queen Cleopatra.The New Folger Library editions feature introductions to Shakespeare's language, illustrations from the Folger collection, scene-by-scene plot summaries, and explanatory notes. Exhibiting a profound concern for stimulating a popular interest in the Elizabethan period, the esteemed and accessible Folger Library Shakespeare editions are favored by teachers, students, and scholars alike.

Professor Schlueter approaches this early Shakespearean comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which by their combination show the pitfalls of high-flown human ideals. A thoroughly researched, illustrated stage history reveals changing conceptions of the play, which has tempted many nineteenth- and twentieth-century directors and actors, who often fail, nevertheless, to come to terms with the plays subversive impetus.